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Aaron, Chloe. 1970. The Alternate-Media Guerrillas. New York Magazine.


Antin, David. 1976. Video: The Distinctive Features of the Medium. Video Art, New York & London. HBJ.


Atkins, Robert. 1990. Artspeak, Abbeyville Press. New York.


Battcock, Gregory, ed. 1978. New Artists Video, New York. E.P. Dutton.


Blumental & Horsfield, et al. 1986. Video Data Bank, Art Institute of Chicago.


Boettger, Suzaan. 1989. The Dark Sublime, New York. Scott Alan Gallery.


Broughel, Barbara. 1986. Poetic Resemblance Buffalo. Hallwalls Gallery.


Burris, John.1997. Early Installations. Mellinium Journal Spring.


Crystal, Curtis. 1979. Video: A Selection in the Art Form, New York. Firehouse Press.


Connor, Russell. 1970. Vision & Television, Rose Art Museum, Brandies University.


Connor, Russell. 1976. Video Gets a One. Video Art, NY & London: HBJ.


Coolidge, Clark. 1991. Odes Of Robia. The Figures.


Cyphers, Peggy. 1992. "The Consumption of Paradise." Art Journal, Vol.51, No. 2.


Decker, Edith & Herzogemath, Wulf. 1989. Video Skulptur, retrospectiv und aktuell, Cologne. DuMont.


Delahunty, Suzanne. 1974. Video Art , Philadelphia: I.C.A., University of Pennsylvania.


Drecher, Thomas. 1973. Der Beobachter als Akteur in Happenings und umweltsensitiven Installationen Eine kleine Geschichte der re- & interaktiven Kunst


Frank, Peter. 1976. Video Art Installations: The TelenviromentVideo Art, NY & London: HBJ.


French-Frazier, Nina. 1978. Interview. Aransas: Axis of Observation, Houston. Points of View Press.


Gigliotti, Davidson. 1990. The Allure of the Electronic. Afterimage, March.


Gioscia, Victor. 1973. Introduction. Between Paradigms., NY, London and Paris. Gordon & Breach.


Glueck, Grace. 1969. T-Visionaries. Review. New York Times, May 25.


Goldberg, Vicki. 1994. Art That Turns Television Frogs Into Princes. Review. New York Times, July 31.


Gruber, Bettina & Vedder, Maria. 1983. Kunst und Video, Cologne. Dumont.


Hall, Doug, et al. 1991. Illuminating Video, New York. Aperture Press.


Hanhardt, John. 1976. Video/Television Space. Video Art , NY & London. HBJ.


Hanhardt, John. 1983. Oracle. New York. Whitney Museum of American Art.


Hanhardt, John. ed. 1986. Video Culture, New York. Peregrene Books.


Hanhardt, John. 1984. New American Video Art: A Historical Survey, 1967-1980, New York.

Whitney Museum of American Art.


Hanhardt, John. 1994. TV as a Creative Medium. New York. Whitney Museum of American Art.


Harithas, James. 1973. Process and Meta-Process, Syracuse. Everson Museum of Art.


Harithas, James. 1978. Aransas: Axis of Observation, Houston. Points of View Press.


Harwig, Michael R., ed. 1982. The List, New York. ICI Pub.


Hertzogenrath, Wulf. 1974. Video Bander, Cologne. Kolnisher Kunstverein.


Hertzogenrath, Wulf. 1974. Kunst Bleibt Kunst, Cologne. Wallraf-Richartz Museum.


Hellyer, Constance. 1974. The Future of Man. The Stanford Magazine, Fall/Winter 74.


Horsfield, Kate. 1971. Busting The Tube.


Judson, William, ed. 1988. American Video Landscape, the Electronic Grove, Pittsburgh.

Carnegie Museum of Art.


Kaprow, Allen. 1974. Video Art: Old Wine, New Bottle. Artforum, June.


Kemp, John. 1989. Review. Arts Review, London. March.


Kostelanetz, Richard. 1970. Artistic Machines. Chicago Review .


Kubota, Shigeko. 1976. "From Flim to Video." Video Art, NY & London. HBJ.


Kurtz, Bruce. 1974, 1975. The Kitchen.


Kurtz, Bruce. 1976. The Present Tense. Video Art, New York & London. HBJ.


Livingston, Jane. 1979. Frank Gillette, Washington, D.C., Corcoran Gallery of Art.


London, Barbara. 1980. Independent Video: The First Fifteen Years. Artforum, September.


Meigh Andrews, 1974. A History of Video Art.


Meigh Andrews, 1975. Video Installation.


Mekas, Jonas. 1969. Review. The Village Voice, May 22.


Minkowsky, John. 1992. Recycling Video: Sorting Through the Past. Aftermage, January.


Mondluch, Kate. 1971. Screens.


Moore, Alan. 1975. Kitchen Gallery, New York. Artforum, January.


Morse, Margaret. 1974. Video Installation.


Oliva, Achille Bonito. 1976. The Different Avant-Gardes. Milan. Deco Press.


Osborn, Barbara, ed.1990. At Arm's Length, New York. Osborn Publishers.


Paik, Nam June. 1976. Set/Setting. Rooms. New York. P.S.1 Institute for Art & Urban Resources.


Price, Jonathan. 1977. Video Visions, New York. N.A.L. Publishers.


Rabinowitch, David. 1976. On the Photographic Sets. Rooms, New York: P.S.1, Institute for Art & Urban Resources.


Rose, Barbara. 1969. Television as Art. Vogue, April 15.


Rosebush, Judson. 1973. Introduction. Process and Meta-Process, Syracuse. Everson Museum of Art.


Ross, David. 1978. Occam's Razor. Aransas: Axis of Observation, Houston. Points of View Press.


Ross, David. 1973. Paik, Gillette, Downey--Process and Ritual. Artscanada, October.


Ross, David. 1976. Provisional Overview of Artists' Television in the U.S. Studio International, May.


Ross, David. 1976. The Personal Attitude. Video Art, NY & London. HBJ.


Ross, David. 1979. Aransas: Axis of Observation. Berkeley. University Art Museum.


Rush, Michael. 2009. Video Art.

Rush, Michael.1998. New York Times.


Rushworth, Katherine. 1999. Virtual Tools, Painterly Product, Stars Magazine (Syracuse Herald American), Sunday, October 3, 1999.


Ryan, Paul. 1999. Raging Beauty,


Ryan, Paul. 1993. Video Mind, Earth Mind, New York, Berlin and Paris: Peter Lang Publishers.


Safran, Verna. 1994. Review."Q" Magazine, January.


Schjeldahl, Peter. 1988. The Legacy of Light, New York. Knopf.


Schneider, Ira & Korot, Beryl. eds. 1976. Video Art, New York. HBJ. . . *


Shamberg, Michael. 1969. Taking Waste Out of the Wasteland. Time, May 30.


Shamberg, Michael & Raindance Foundation. 1971. Guerrilla Television, New York. Holt, Rinehart & Winston.


Sharp, Willoughby. 1973. Interview. Process and Meta-Process, Syracuse. Everson Museum of Art.


Sharp, Willoughby. 1974. Review. Avalanche #5 , New York.


Simmons, Richard. 1981. From the Academy to the AvantGarde, Rochester. Visual Studies Workshop.


Skodnick, Roy. 1983. Computers and Art. All Area #2.


Sobrinho, Francisco, et al. 1975. XIII Bienal de Sao Paolo, Brazil.


Sturken, Marita. 1982. Narrative Conceit. Afterimage, April.


Sundell, Nina. 1974. Castelli / Sonnabend Catalogue. New York & Paris.


Welch, Marguerite. 1981. Review. Afterimage, January.


Welling, James. 1975. Gillette's Quidditas. Artweek, Vol. 6, NO. 21.


Wiegand, Ingrid. 1977. Systems & Sensibility. Soho News, V12, April.


Wilson, William. 1975. Review. Los Angeles Times, May 25.


Wise, Howard. 1973. At the Leading Edge of Art. E.A.I., New York.


Wise, Howard. 1969. TV As A Creative Medium.


Wooster, Ann-Sargent. 1991. The Heart of Darkness. Arts, October.


Yalkut, Jud. 1969. Interview. The East Village Other, July.


Youngblood, Gene. 1970. Expanded Cinema, New York. Dutton.


Zippay, L., et al. 1992. Artist's Video, New York. Abbeyville Press.

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